After reading about art nouveau and ukiyo-e in Meggs’ History of Graphic Design, I began to wonder about
the art movements in Japan that happened after ukiyo-e. Art is continually evolving and finding inspiration with
cultural exchange, more-so than ever in the 20th century.

Yet unlike the staunchly traditional ukiyo-e, shin-hanga
is the perfect meeting between East and West. The Eastern use of contour lines
and flat colors are utilized in conjunction with Western techniques of realism
and three-dimensionality.
Impressionism also played an influential role in shin-hanga, for artists sought to create an effect of light and mood that was lacking in ukiyo-e. The result creates an alluring and ethereal piece of work that blends both Western and Eastern techniques without having to favor one over the other.
Impressionism also played an influential role in shin-hanga, for artists sought to create an effect of light and mood that was lacking in ukiyo-e. The result creates an alluring and ethereal piece of work that blends both Western and Eastern techniques without having to favor one over the other.
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