Wednesday, October 31, 2012

Art After Ukiyo-e: Shin-Hanga


After reading about art nouveau and ukiyo-e in Meggs’ History of Graphic Design, I began to wonder about the art movements in Japan that happened after ukiyo-e. Art is continually evolving and finding inspiration with cultural exchange, more-so than ever in the 20th century.

Towards the end of the Meiji era in 1912, ukiyo-e had fallen out of favor with the populace as Western art was deemed to be more in vogue. The Taisho era is time period after the end of the Meiji era. During this time, Japan was rapidly modernizing and becoming more Western. As a result of this, people began to feel nostalgic for the old and traditional Japan and art was one of the ways this yearning became an outlet for. This art form was to be known as shin-hanga: shin meaning “new” and hanga meaning “prints” and revitalized the ukiyo-e art form. 

The shin-hanga movement was singlehandedly created by a Japanese publisher called Watanabe Shozaburo in 1915. The production methods for shin-hanga were very much like that of ukiyo-e. An artist would create a sketch and hired artisans would create the desired final product. Like ukiyo-e, favored subjects of shin-hanga were traditional themes of landscapes, flora and fauna, gorgeous women and so on.

Yet unlike the staunchly traditional ukiyo-e, shin-hanga is the perfect meeting between East and West. The Eastern use of contour lines and flat colors are utilized in conjunction with Western techniques of realism and three-dimensionality.

Impressionism also played an influential role in shin-hanga, for artists sought to create an effect of light and mood that was lacking in ukiyo-e. The result creates an alluring and ethereal piece of work that blends both Western and Eastern techniques without having to favor one over the other. 

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